Taylor 514ce 6 Strings Grand Auditorium Electro Acoustic Guitars With Bag- Natural Overview:

Cedar’s warm midrange overtones and quick response make it a coveted top wood among fingerstylists and other players with a lighter touch. On this mahogany/cedar cutaway Grand Auditorium, V-Class bracing lifts those sonic virtues to new heights, serving up an even more powerful all-around response with billowing sustain. Add to that the bundle of sonic refinements that V-Class brings, including more powerful notes all the way up the fretboard and greater in-tuneness between the notes (thanks to a more orderly response from the top), and you’ve got a guitar that can cover a lot of ground. Mahogany’s naturally dry, focused voice emphasizes the midrange, lending a warm, clear punch that strummers, blues players will especially appreciate. Appointments include faux tortoise shell binding and pickguard, a faux tortoise/ivoroid rosette, and our striking Century fretboard inlay scheme in grained ivoroid with a new peghead inlay to complement the motif. With onboard Taylor ES2 electronics, you can count on natural-sounding amplified acoustic tone whenever you need it. The guitar also features a Venetian cutaway for upper-fretboard access, and ships in a deluxe hardshell case.

Features:

Grand Auditorium

Body Length: 20″ / Body Width: 16″ / Body Depth: 4 5/8″

Taylor’s signature shape embodies the ultimate all-purpose acoustic.

• An original Bob Taylor design introduced in 1994

• Full in the lower register, present in the midrange, and sparkling on the treble strings

• Our most popular shape and a good place to begin your search

Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Western Red Cedar

Origin: Western North America

Cedar is less dense than spruce, and that softness typically translates into a sense of sonic warmth. If Sitka has a full dynamic range, cedar makes quieter tones louder, but it also imposes more of a ceiling on high volume levels driven by an aggressive attack. If one tries to drive a cedar top hard, at a certain point it will reach a volume limit. Typically, players with a lighter touch sound wonderful on a cedar-top guitar, fingerstyle players especially — that lighter touch will be amplified a little more, and one’s attack never reaches the ceiling. Flatpickers are likely to hit the ceiling fast, and might be frustrated by an inability to get the tonal output to match their attack.

Tropical Mahogany

Mahogany is a good wood to anchor a discussion of tones, as a lot of other wood tones can be described in relation to it. Its essential sonic profile is well represented in the midrange frequencies. Acoustic guitars in general tend to live in the midrange portion of the sound spectrum, but mahogany in particular displays a lot of midrange character. That thick, present midrange sound is sometimes described in guitar circles as meaty, organic or even chewy; wherever a player digs in on the fretboard, they’re tapping into the core of the harmonic content of what a guitar produces. Those great midrange frequencies produce overtones that stack up and produce bloom, giving the sound extra girth. When one hears the resulting harmonics, the chewy tone serves up a big mouthful of midrange. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.

Expression System 2

The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

Venetian Cutaway

Standard on all “ce” models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope.

Highlights

Body

Neck

Peghead

Other

This product includes Beginner’s Guide to Learning Guitar E-book